About Pieter de Rooij

my name: Pieter de Rooij born: december 1963 academic studies: Anthropology, Ethnomusicology (Masters degree in Social Anthropology in 1988, University of Amsterdam) after finishing university I was also educated in music library work work: trenching and digging in the audio-archives of Radio Netherlands other activities: regular producer of world music programmes for dutch radiostation De Concertzender ; writer on (world) music and cd-reviewer for world music magazine ‘Mixed’ ; music consultant special interests in music: Indian classical (raga)music ; world music ; opera ; western classical music ; jazz ; film music other special interests: literature and films purpose of my blog: to inform you about my activities concerned with (world) music and -occassionally- other obsessive matters I'd love to hear from you. I f you want to respond or share your views leave a reply or send me an email: info@tonalties.nl

Mesmerising overtone singing – Okna Tsagan Zam sings heroic epic Dzhangar

Epic bard and overtone-/throatsinger Okna Tsagan Zam from Kalmykia sings the heroic epic Dzhangar, a complete version. This performance is definitely one of my all time favourites. Whenever I start listening to it, I can’t get enough of it, what a treat! To me this music is sort of trance-inducing, and therefore every listening session turns out to be a very rewarding pleasant experience. I cannot speak for others, but still, I’m pretty convinced this music will proof irresistable to- and make a lasting impression on every open minded music loving listener.

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Playing around India : A portrait of Dutch cellist Saskia Rao-De Haas (2002)

Playing around India – A portrait of Dutch cellist Saskia Rao-de Haas, is a radio documentary I produced in 2002. [original Dutch title: Op streek in India – een portret van de Nederlandse celliste Saskia Rao-de Haas]
The documentary is mostly in dutch, but this video offers a transcript in english locked to the timetable, in order to make this production accessible for an international audience. To allow convenient reading of this transcript, you should play the video in HD (1080p).
Production date: May-June 2002. First broadcast by Concertzender on 8 November 2002, also broadcast by Radio Netherlands on 25 and 29 December 2002. Voice narrator: Wim Vriezen.

In the documentary ‘Playing around India’ (produced May-June 2002) programme maker Pieter de Rooij introduces the career of the brilliant 31-year-old (that is, in 2002) cellist Saskia Rao-de Haas. She is one of the very few people, and the only European, to play the classical ragas of North India on the cello. She is considered the only genuine cello soloist by the Indian concert going public. Her virtuosity and deep musicality have introduced a new resonance to Indian music and have been enthusiastically receieved by critics and audiences worldwide. To achieve a proper Indian sound Saskia Rao-de Haas plays on a specially modified cello: smaller (so as to be able to be played sitting on the floor), with five instead of the usual four strings, and with ten ‘sympathetic’ strings. These freely resonating strings give a beautiful Indian sound to the cello and the instrument has quickly become very popular.
For two years (speaking from 2002) Saskia Rao-de Haas has lived in New Delhi with her husband, the famous Indian sitar player Shubhendra Rao. As well as traditional raga improvisations, she and her husband play their own compositions in which they mix classical Indian music with elements from European folkmusic and Western classical music.
In May and June 2002 Saskia and Shubhendra toured outside India when, for the first time, Western audiences were able to hear the combination of sitar and cello in Indian classical music. Programme maker Pieter de Rooij caught up with the couple in Amsterdam where they gave a concert at the KIT Tropen Theatre on 25 May. Saskia talks about her music, her cello and her life in India. Her husband Shubhendra, the violin maker Eduard van Tongeren and her former teacher at the Rotterdam Conservatory, Joep Bor, all have something to say about Saskia’s amazing cello adventure. Recordings from the Amsterdam concert are heard during the documentary.

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Best releases of 2013 | Pieter de Rooij’s Top 15

01. Anupama Bhagwat (India) – Ether | Raga/Hindustani
Anupama Bhagwat


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02. Valentina Lisitsa (USA) – Rachmaninov: The Piano Concertos | Western Classical
Valentina Rach concerti


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03. Valentina Lisitsa (USA) – Valentina Lisitsa plays Liszt | Western Classical
Valentina plays Liszt


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04. Sarah Jarosz (USA) – Build Me Up From Bones | Bluegrass/Folk/Americana
Sarah Jarosz


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05. Buika (Spain) – La Noche Mas Larga | Flamenco/Jazz
Buika La Noche


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06. Rokia Traoré (Mali) – Beautiful Africa | Blues/Rock
Rokia Traoré


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07 Anais Mitchell & Jefferson Hamer (USA) – Child Ballads | Folk
Child Ballads


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08. Debashish Bhattacharya (India) – Beyond the Ragasphere | Raga/Hindustani/Crossover
Debashish Bhattacharya


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09. Anoushka Shankar (India) – Traces of You | Raga/Crossover
Anoushka Shankar


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10. Natacha Atlas (Belgium/UK) – Live in Toulouse | Arabian pop
Natacha Atlas


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11. Valerie June (USA) – Pushin’ Against A Stone | Folk/Blues/Soul
Valerie June


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12. Jyotsna Srikanth (India) – Call Of Bengalore | Raga/Carnatic/Crossover
Jyotsna Srikanth


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13. Eva Quartet & Hector Zazou (Bulgaria/France) – The Arch | Crossover/Experimental
Eva Quartet & Hector Zazou


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14. Hilary Hahn (USA) – In 27 Pieces : The Hilary Hahn Encores | Western Classical
Hilary Hahn


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15. Various Artists (Brazil) – Daora: Underground Sounds of Urban Brasil | Hiphop/Afro/Dub
Daora

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Great documentaries concerned with various aspects of Indian classical music

I came across some very interesting documentaries concerned with various aspects of Indian classical music.

SaReGa, produced in 2010 and directed by Valerie Berteau, is a film introducing Hindustani music. Musical notes have the power to affect and enhance our feelings. The Hindi/Urdu word “rag” means color, or passion. Therefore, a raga can be defined as an accoustic method of coloring the mind of the listener with emotion. For centuries, its oral transmission has maintained the essential qualities of this remarkable tradition.

Koi Sunta Hai (Someone is Listening): Journeys with Kumar & Kabir, was produced in 2008 and directed by director Shabnam Virmani. This film interweaves the poetry of North Indian 15th century mystic poet Kabir with the life and music of the late Indian classical singer Kumar Gandharva.

Man of Collection, produced in 2008 and directed by Mohani Bhoj, tries to document the journey of a man who has spent 35 years of his life putting together the golden age of Hindi cinema that has nearly got erased from our collective memories. The journey of musical greats like Anil Biswas, Khemchandra Prakash, Naushad and musical renditions of classical ragas like daadra, dhrupad, thumari, ghazals, bhajans by great singers and compositions of various musicians is the wealth of this one man Pritam T. Manghani. From the first record to be made in India (singer Gauhar Jahan’s) to the last lp of hindi films (Veer-Zaara), from classical music to folk songs in any language, to advertisements in old records, to speeches of political figures like Mahatma Gandhi, Netaji Subhash Chandra Bose to recitations of great poets like gurudev rabindranath Tagore, india’s nightangle Sarojini Naidu, the revolutionary poet kavi kazi nazrul islam etc. Other than collecting gems from the world of sound, Pritamji is a proud owner of old film magazines, pamphlets & posters. But what he likes most from his treasure is the Edison collection. Looking at Edison’s laboratory record he says ” Without Edison we wouldn’t have experienced the world of sound”.

Sound Yoga/Nada Yoga: The Healing Power of Sacred Sound was produced in 2004 and directed by Jay Weidner. Teacher, vocalist and sound healer Shanti Shivani introduces the mystic practice of Nada Yoga. Nada Yoga is the core of Dhrupad, the most ancient style of Hindustani classical music.

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26 May 2013: double concert in Amsterdam celebrating Pandit Hariprasad Chaurasia’s 75th birthday

Not to be missed on Sunday 26 May 2013! A double concert in De Meervaart in Amsterdam to celebrate the 75th birthday of bansuri maestro Pandit Hariprasad Chaurasia.


Pandit Hariprasad Chaurasia

The programme of the celebration concert:

Concert 1 14.30-16.00
Meeta Pandit, vocal ; Sandip Bhattacharya, tabla ; Rafiq Ahmed, sarangi ; Rohit Vyas and Martin Spaink, tanpura.

Concert 2 16.30-18.00
Pandit Hariprasad Chaurasia, bansuri/bamboo flute ; Subhankar Banerjee, tabla ; Stephanie Bosch, tanpura.

Tickets for the concert in Amsterdam on Sunday 26 May can be booked online via http://www.meervaart.nl/ Price for a ticket is € 26.
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A beautiful recording, Hariprasad Chaurasia plays Raag Malkauns


A promo for ‘Bansuri Guru’ (2013), a film highlighting
life and career of Pandit Hariprasad Chaurasia

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‘Harmony of the Spheres’ van Joep Franssens – weldadig mooi!

‘Harmony of the Spheres’ van de Nederlandse componist Joep Franssens is een op teksten van Spinoza getoonzet vijfdelig werk voor gemengd koor en (alleen in het middelste derde deel) kamerorkest. Meer informatie over dit werk vind je o.a. hier. Wat Franssens er zelf over heeft gezegd vind je hier en voor een diepgaande, muziekwetenschappelijke analyse klik je hier.

Een prachtige kerngedachte van Spinoza, die Franssens nadrukkelijk gebruikt in begin- en slotdeel van z’n ‘Harmony of the Spheres’, licht ik er nog even uit:
“Animi tamen non armis, sed amore et generositate vincuntur.”
(“Niet door wapens, maar door liefde en edelmoedigheid worden harten gewonnen.”)


Weldadig mooi!

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‘Kathy’s Song’ wonderfully covered by brilliant singer Sarah Jarosz

Ever since her beautiful debut album Song Up In Her Head I’m a great admirer of the young and fabulous American singer/songwriter Sarah Jarosz. Last week I was struck by her touching recent live performance of Simon & Garfunkel’s Kathy’s Song, recorded at The Troubadour in Los Angeles.

The lyrics:
I hear the drizzle of the rain
Like a memory it falls
Soft and warm continuing
Tapping on my roof and walls.

And from the shelter of my mind
Through the window of my eyes
I gaze beyond the rain-drenched streets
To England where my heart lies.

My mind’s distracted and diffused
My thoughts are many miles away
They lie with you when you’re asleep
And kiss you when you start your day.

And a song I was writing is left undone
I don’t know why I spend my time
Writing songs I can’t believe
With words that tear and strain to rhyme.

And so you see I have come to doubt
All that I once held as true
I stand alone without beliefs
The only truth I know is you.

And as I watch the drops of rain
Weave their weary paths and die
I know that I am like the rain
There but for the grace of you go I.

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KITLV presents a streamable free collection of popular music from Indonesia

KITLV / Royal Netherlands Institute of Southeast Asian and Caribbean Studies has put online a substantial collection of popular music from Indonesia. Thousands of songs from the 20th century – traditional, popular and locally inspired – are freely available and can be streamed through a renewed media library. The added contextual data and images of the original records make a collection that was previously hard to find, into a unique source for contemporary and cultural history of Indonesia. Click here to try out this music collection.

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